Visual arts, underground music and events online magazine ran by students in Liverpool.






A collaboration from Jack McVann and Alex Wynne, featured at the 1978 exhibition. 

To see more of Jack’s work, check out his website: http://jackmcvann.net/

The second installment of ‘Sounds’ by the collaborative duo. SWITCHED’s very own Michael Dowding teams up again with Carpe Diem resident Marc Williams to provide a perfectly executed techno/house mix available to download now.

To hear more collaborations from the two, check out the Soundcloud page: https://soundcloud.com/michaeldowding/


An undisputed Detroit legend, Stacey Pullen is the Kosmik Messenger. Recognised as a pioneer of electronic music worldwide, he’s an undisputed Motor City icon with a legacy that stretches back nearly 20 years. Growing up under the mentorship of Detroit’s legendary three - Derrick May, Juan Atkins and Kevin Saunderson, it’s no surprise he is described as an innovator from the Second Wave of Detroit techno, alongside other heroes such as Carl Craig, Jeff Mills and Octave One. 

Pullen holds a strong influence on modern day techno, with his Blackflag Recordings imprint remaining a fierce contender in the erratic world of electronic music since its founding in 1998. Its debut release was none other than Pullen’s alter-ego Black Odyssey, with “Sweat” which was considered a future classic, 15 years on the track was re-released in early 2013 with a raw remix courtesy of a Beatport sponsored competition. 2013 was an outstanding year for Pullen, with the continued success of his revived Blackflag Recordings, a career first Boiler Room appearance, multiple remixes and track releases in collaboration with Desolat boss Martin Buttrich and Nicole Moudaber to name a few, plus an incredibly strong summer in Ibiza which included a residency at Marco Carola’s Music On at Amnesia plus playing for Luciano & Friends at Ushuaia and Cadenza in season.

Sunday the 20th April sees an extended set from Pullen in Liverpool for Rubix’s Easter Sunday extravaganza. Also on the bill is Italy’s Unlocked residents White Brothers, plus Rubix residents Chris McGee b2b Phil Fearon, Lee Charnock and Tom Buck. 

SWITCHED spoke to Pullen in preparation for the Easter festivities…

Hello Stacey! Its really an honour to get the opportunity to interview you for our website. Can you begin by telling us were your love for music began? Weve heard you were quite the flute player from a young age! When did you begin to start experimenting with mixing and producing? Can you remember your first set up?

My Dad was in the group called The Capitals and my aunt dated Smokey Robinson in high school. I started getting interested in mixing in the early ‘80s, listening to the Electrifying Mojo and I began to DJ in 1985.

What was it like having the legendary Detroit three as mentors? Was there any advice in particular that they gave to you which has stuck over the years?

Derrick showed me how to enjoy the success of being an artist, Juan was responsible for all of us and Kevin showed me that you can cross genres; having commercial success even when you’re still underground.

Tell us about Blackflag Recordings, why did you decide to start your own label and how have you found the past 15 years? If you were to start a new label now, is there anything significantly different you would do that you wouldn’t previously have done?

Initially I wanted to just release my own music, sort of like Jeff Mills has done with Axis, but I after I got jaded with the whole major label thing, I realised that I didn’t make enough music to have a release every month so I looked elsewhere for music. I also didn’t want be just another Detroit label where I only release Detroit artist and music, so I started putting the word out that I was accepting demos and now here we are.


Youve released under multiple monikers, does each name produce a different style of music? How does a Stacey Pullen track differ from a Kosmik Messenger track? With trends changing and the popularity of certain elements in electronic music constantly changing and evolving, how do you go about upkeeping your own signature style?

Yes when I wrote my last Stacey Pullen album it was the time when I was reading Miles Davis’s autobiography and was influenced with the world of jazz. Kosmic Messenger is no nonsense four to the floor techno tracks.

Being from Detroit we’ve always had a sense of melody in our music, so when I go into the studio I never forget the basics of what got me started in the first place so I never loose the focus when I produce my sound.

The first time I saw you play was at Amnesia in Ibiza on the 5th July last year, in fact my friend and I spent the majority of the night in the Club Room we enjoyed it that much. How did you find your residency at Marco Carolas Music On last year? Aside from playing for various events throughout the White Isle in the past, was this your first summer residency on the island? 

Music On has been the highlight of my recent years in Ibiza. I have to admit that it’s pretty difficult because Marco and I usually play at the same time but in different rooms, but it’s good honest competition. There was a party in particular back in August when I played in the Main Room that was one of my highlights of the year and I had others saying it was very special for them too, so we are rocking it from two different angles. I played the very first Music On opening party in 2012.


The 20th April sees you return back to Liverpool for the first time in years, what are you looking forward to about playing for Rubix on Easter Sunday? When was the last time you were in the city?

I’m looking foward to rocking the dancefloor I can’t really remember when I was in Liverpool last but this Rubix gig will be a night to remember.

Your first DJing gig being back in May 1985, you described the experience as It was that gig that let me know how tough it was to be a DJ. We set up the whole thing, brought the sound system, rented the hall, loaded in, loaded out and went home with 20 bucks a piece in our pocket. But it was more than money, to have that outlet - to have that power and make people respond to the music that we playednearly 30 years on its inspiring to young producers how far hard work can truly get you. Speaking to our readers that aspire to earn a career like yours, what advice do you have for them?

Just stay true to what you believe in and the rest will follow, it doesn’t matter what type of music you make or interested in, but you must also do you homework and know the history just jump on the bandwagon because this is the hot sound of the moment.


Whats in store for 2014? Blackflag is set to release tracks from the likes of Youcef Elaid, Elio Riso and Sergio Fernandez; but what about yourself? Any big events or releases youd like to tell us about?

Why yes of course I’m working on my next single, it’s gonna come in the early summer. I’ve got the Movement Festival in Detroit coming up in May, gonna be starting on some remixes on Desolat, Crosstown rebels, and form records coming up later this year.

And on a final note, can you name your five favourite tracks right now?

Elio Riso “It’s Alright”

Brothers In Progress “Emontionique”

Stacey Pullen “Get Loose”

Ellroy “Whatcha gonna do”

Re Us “Move On”

Thankyou very much for taking the time to answer our questions, we look forward to seeing your extended set on Easter Sunday!

Don’t forget to get your tickets for the Rubix Easter Sunday Special with an extended set from Stacey himself, plus Italy’s White Brothers plus residents Chris McGee b2b Phil Fearon, Lee Charnock and Tom Buck from Skiddle.

For more information on latest gigs and releases, follow Stacey on Soundcloud, Twitter and Facebook.

By Louisa Newton.


A lovely pic I took in my hometown.

Welcome to Southport, an up-market seaside tourist town with the second longest pier in Britain and home to six golf courses. One of the most popular seaside resorts in the UK, its home to a variety of events including an annual air show, the largest independent flower show in the UK and has previously hosted The Open Championship. Less brash and more genteel than nearby Blackpool, it has also become a commuter town for Liverpool.

With a population of just over 90,000 and 75.9% of that being aged 34 and over, it’s easy to see why the youth and club culture of Southport is often overlooked. In fact, club culture doesn’t really exist here. An average Saturday night usually starts with sitting on the sofa at home declaring that you will be ‘staying in tonight’, knowing that by midnight you will have already begun to crawl your way into the murky surroundings of Waverly Street for a night you will almost definitely regret the morning after.

At first glance on a night out in Southport, you’re almost certain to think it’s shit and a complete waste of your time and money. 9 times out of 10 this is probably true, if you don’t know what you’re looking for then it can be very limited. Have a look on Skiddle for events in Southport and there’s nothing, just promotions of an amateur Mozart production and a “Laugh Out Loud” comedy club. 


You will find a lot of these fucking flying rodents here.

Have a look on Facebook and it’s a completely different story. Pop-up Thursday Techno nights hosted in a pub for a mere £2 entry, Wednesday night Deephouse events in a Hawaiian themed bar and not forgetting 11 hour £3 marathon raves courtesy of a VOID soundsystem; it’s nothing compared to Liverpool but for a seaside town it’s enough. The biggest Waverly Street venue having a capacity of just over 400 and the average life expectancy of each bar declining further, owners have resorted to dirty tactics in recent years; announcing the closure of bars which then reopen under the same management and staff but with a new name and a lick of paint a few weeks later. It’s been done to death and it’s not fooling anyone. 

The most popular events in our little town seem to be the pop-up ones, mainly created by students themselves. A good example of this is Deeper, an underground electronic music night that started in February 2013. The Deeper team consists of frontman Sam Padden, Louis Ball, Tom Yates, Danny Davies and Andy Cunningham; with the idea for the event beginning after a fortunate meeting with a local club owner. The owner agreed with the boys that the club scene in Southport was dead and in dire need of refreshment, giving them the opportunity to host a night showcasing local talent. Commenting on the event in an interview I did last year with Sam, he said “Someone told me once that Southport will never change but I think it is slowly but surely changing. People are fed up of the same music week in week out, being spoon fed the top 40 and it’s time for a change. That was my incentive really, starting the night to create something weekly or monthly where people could go and actually enjoy what they were listening to.” 


As you can tell I spend a lot of my time taking photos of the pier.

Thursday nights died here a long time ago, with the closure of Student’s favourite pub The Phoenix (£1.25 singles are you messing) earlier this year it’s been a void we’ve all had to fill somehow. After this, Thursdays became dead mans land and began to turn into just another week night, thus provoking the creation of “Fox & Bass” at the Fox and Goose pub on Cable Street. Started by Tom Ford in 2013, each event promises a night of local talent, cheap drinks and £2 entry. You can wear a pair of trainers and get hammered for a tenner, spending night listening to decent music - it’s a win win for everyone to be perfectly honest. The most recent event being a House and Techno special, it’s self explanatory why this night in particular is so popular with locals, promising £1 shots and £2.50 doubles. Regular DJs include Deeper’s Andy Cunningham, Tom Yates, Louis Ball and Danny Davies.

Easter Sunday is set to be very promising, with the debut of an 11 hour day and night party; Macooza. Kicking things off at 6pm, expect disco and house with a BBQ on the terrace. There’s also rumour of a tequila slushy machine but that might just be my imagination getting ahead of me. The event will run through til 5am, fuelled by a VOID soundsystem. On the lineup is Purp & Soul’s Jay Murt, also one half of Butler & Murt with star of 2013 Josh Butler, LDMS founders Assheton (Critrica Records) and Joe Middleton, Steve Froggatt (Nightchild/Recovery-Tech), Josef Lawler, Martyn Day, Hannah Pinnington, Dean Porter and of course, the Deeper DJs. £3 entry with your name on the Facebook wall, if anybody ever wants to tell me that Southport is shit and boring; that’s on average 27p an hour for a VOID marathon rave on a Sunday night.


Boddika at the Bugged Out Weekender in Ainsdale last month.

A big development for Southport this year was the Bugged Out Weekender, returning to it’s birthplace for the 20 year anniversary. The Weekender brought big names like Seth Troxler, Sasha, Eats Everything, Skream, Jackmaster, Claude Vonstroke, Kolsch, Boddika, Joy Orbison and Green Velvet to Southport for what I can guarantee would be their debut. Not only that, but the Weekender brought thousands of like minded attendees together from all over the UK to converse and dance side by side on the dirty floors of Pontins. If a promoter like Bugged Out can host an event as insane as the Weekender in a budget seaside resort, you can only imagine what else Southport is capable of.

Southport isn’t all that bad, in terms of intimate events it’s actually quite good. Having been born and raised here I’ve done nothing but complain about living here for the past two decades, yet when talking about the underground culture here I seem to feel quite patriotic towards the place. The close knit community in which ‘Sandgrounders’ co-exist, regardless of whether you love or hate it, is mainly responsible for the continued success of the ‘underground scene’ here. Everyone knows everyone here and if people aren’t attending an event purely for the enjoyment of the music, they’re going to see their friends; its a continuous cycle that has dramatically improved the social surroundings for us all.

A lot of these events may be responsible for the ‘Great Ket Drought of 2014’, there’s no definitive correlation of underground events and “dance drugs” (as my mother likes to call them) but it was lovely to see the youths of Southport dry and clean for a short period. My sources have confirmed that the dreaded tranquilliser has now returned to the town after a break of harvesting and business will resume as usual.

Photos and text by Louisa Newton.

OPENING NIGHT: 18/04/2014

19:30 - LATE







The exhibition beginning over at MelloMello will be an introduction to resident artists Ambidexter, Virginia Chandler and Zombieking, whom all create work using different mediums, ranging from illustration to sculpture. The opening night will also see a variety of live performances from acoustic sets to DJs.


Wedding House 



DJset from ‘Cat Miami’

Dog’s Pocket (of The Chicken Brothers (TCB))

The exhibition is due to continue up until 30th June.




The past few months have been incredibly busy for DJ duo Want More, an experienced pair who have played worldwide as individuals for over a decade. In November 2013, they debuted straight in the Beatport Top 10 mix charts, and have since been known as one of the UK’s hottest new underground House names on the scene. 

Their latest release, the Modern Day EP will be released on Planet Acetate Records on the 14th April 2014 featuring original tracks with Nick Grimes and remixes from Frankie Dep and Planet Acetate label boss Tank Edwards, also Want More’s remix of Him_self_her’s classic “Lost At Love Before”. With support from Amine Edge, Raffa FL, Severino, Carlo Gambino, Rosenhaft, Jordan O’Regan and more, after a good listen it’s clear to see (or hear) why.

The EP begins with the Modern Day Original Mix, consisting of clean and crisp baselines and a beat that you can’t stay still to. The Vocal Mix is somewhat nostalgic and uplifting, dramatically differing from the Original Mix with Camden musician, frontman of The Din, Nick Grimes’ indie fused vocals over the track. Deephouse baselines married to a gypsy-indie vocal tone, it’s independent of commercial house tracks with the same old basic lyrics and unnecessary “oooo’s”, giving a personal identity to not just the track; but the EP itself.

The Tank Edwards Remix is a personal favourite of mine, with an increased BPM, alternating key of the VOX sample and pan pipes; the original track is almost unrecognisable. Tank’s legacy within deep dance music culture has already ranked him as a leading player in the game, with his rise to the forefront of the scene thanks to his outstanding contribution via his label Planet Acetate Records. Edwards has truly put his own mark on this remix and made it his own, get carried away with your imagination and let the Eastern European harmonies and melodic elements transport you to a midnight rave somewhere deep in the forest, where you’ve got a coconut in either hand and are dancing around a giant fire. 

The second remix comes from Off Recording’s Frankie Dep, a young Italian engineer and music lover. Dep invites us to experience his Aqualight-esque remix, with an evenly distributed mixdown and admirable treatment of the vocals. The EP also includes Want More’s remix of Him_self_her’s 2012 release “Lost At Love Before”. The original release from the Crosstown Rebel’s favourites is already a classic, with the Want More remix further adding their customary outlook consisting of heavy baselines and vocal cut ups.

A bridge between deep house and gypsy-indie vocals has been created within the Want More EP, something I can’t honestly say I’m all too familiar with. The combination of the two vastly different styles shouldn’t work, but they do. Unlike other artists’ work, this EP is rich of individual styles and customary themes, each track has it’s own sense of identity and this is clearly evident within the execution of the release. Definitely a recommended listen.

Buy the EP exclusively from Beatport here 

Don’t forget you can also read our February 2014 interview with Want More themselves here.

By Louisa Newton.

For University of Liverpool student Maggie Matić, photography comes naturally. Using photography as an everyday documentation of her life, the Philosophy and Psychology student uses social-media and cargocollective to present her visual diary. With eye-catching shots and a natural talent, it’s hard to believe that Maggie doesn’t restrict herself commission or partake in a full time study of photography. 







To see more of Maggie’s work, check out her website  http://cargocollective.com/maggiematic/ 

or follow her on Instagram: http://instagram.com/maggiematic


You’re going to Amsterdam. Well, you may not be but if you ever are this is to be your convenient guide for attractions and how to deal with irrational situations. Predictably, everybody will think you’re going to Amsterdam to smoke a fuck-load of Marijuana. This may or may not be the case. However, Amsterdam as a city is more than just a celestial weed bank. Driven by beauty and culture, a visit to Amsterdam is an incredible experience that you will never forget for as long as you live. There are a thousand things to do and a thousand things to experience, a thousand may be pushing but I’m sure you get the idea.


You may think that on your first night you are going to have a ‘chill’ time for relaxing and unwinding that stress of travelling you’ve just had all day. This won’t happen. Well, it may if you’re having the occasional spliff and an apple juice. But mixing pints of Amstel, cocktails and continuous joints to oneself will not go down too much of a treat. There was no vomiting, there were several deluded visions and the incapability to think or speak in a manor that didn’t make you seem as though you’d lost a dozen brain cells.


They’re educational, interesting, enthralling and you will be devastated when you come home and everybody is asking what museums you went to for them to receive the response “none”. Aside from the fact that it costs around 20 euros to attend the museums, it’s definitely worthwhile. Perhaps book tickets in advance to ensure that you can afford to go. It’s a terrible time when you’ve ran out of money and realised that you haven’t visited any museums. There are plenty of things to see; the Van Gogh Museum, Rijksmuseum, Stedelijk Museum and of course the house of Anne Frank. You will regret not visiting any and if you’re on a budget then you’re more than likely to push visiting them aside so that you can buy a box of truffles. Don’t.


You can’t go to a different country or city and not experience the nightlife, so ensure that you know something is going down in the city. Have a look on Resident Advisor to see what upcoming events there are about because you certainly don’t want to just assume there will be something, if this is the case then you will probably end up stood in a 600 capacity club with 30 people in and the DJ enjoying his latest electro-house Avicii mix more than anybody ever will. We reccommend that you visit both Studio 80 and Trouw. Trouw is Amsterdam’s biggest club with a capacity of 1000, holding events for underground house and techno music. However, a heavy night in here will encourage a variety of dance moves from people around. You’re likely to turn around and see some foreign people dancing extravagantly reminiscent of a shark, I’m sure that there was a re-creation of a hula-hoop there too. It does get busy so you will sweat a lot, wear light clothing. On your toilet or cigarette break for a different environment, there is a stall glowing with fairy-lights selling Croissants, Pain Au Chocolat and a copy of Vice in Dutch. Studio 80 is a smaller venue, set out more like a basement in contrast to the warehouse style of Trouw, but also plays this style of music. You’re likely to end up falling off the podium onto an offended foreign woman or smash a glass in the middle of the floor for everybody to dance on. You may also end up sat on a sofa in some hidden backstage area smoking a joint with new friendly faces. Either way, be careful with your drinks and don’t take it too far because you’re likely to be kicked out of Trouw, receiving two hours of help from the bouncers as the club is shutting, vomiting in a taxi to pay a 50 euro fine or trashing your apartment by smashing a ton of mugs, an ashtray and violently throwing candles at the wall. 


You’re likely to try and cross the road as you would in England, occasionally risking the odd run across seconds before the car comes. You are incapable of doing this in Amsterdam. Aside from the drivers and roads being the opposite way round, there are indescribable amounts of bikes. Bikes fucking everywhere. Scooter style bikes, decorated bicycles, unicycles. You are in a lake of bikes and they will not stop for you. Be careful where you’re walking because they will run into you if you’re in their way. You don’t want to end up flat on the road with a bike wheel on top of you. We suggest that you rent a bike because that will give you a proper insight to the roads, trails and highlighted areas. You’ll also look incredibly hip n cool and can get your friends to Instragram quirky pictures of you with a Satya filter.


You’re in a different country and you want to explore. Sometimes, you may want to do something different to what your friends want to do. That is more than okay, you can go and do it on your own and survive. This is a big stepping stone in becoming independent. Don’t be scared to ask for directions when setting out on your own because if so you’ll end up returning to the apartment dripping wet infuriated that you’re alone or the last one back. If you head off somewhere different to your friends, take a mobile phone because you won’t realise how easily it will save your life. If you don’t have a mobile phone then ensure you meet the others where you said you would, when you would. Otherwise, this will result in your friends being lost, wandering around on their own looking for you and all arriving back to the apartment at different times with different stories.


With opposing views to the rest of the world on the Red-light District, you may not want to go and visit it. If this is the case, just give it a go. You may feel like you’re degrading your own beliefs but the only sickening part of the Red-light is the people there. It is an incredible place to visit and we highly recommend it. It’s not just naked women rubbing their vaginas across a window in a graphic manor like you think it may be. It is filled with sex-workers, who are just human beings doing their job, dressed accordingly to tease/invite you and not show their genitalia immediately, there’s not something to laugh about once you have visited a museum in the Red-light District giving you an insight to the culture from the female workers’ perspective, giving you a wider bit of knowledge. You’ll learn a lot from this area and especially the museum, realising that these people have family lives and are often tricked into this kind of work. You can also attend live sex-shows in the area, a pornographic peep show and a variety of sex shops which sell things you didn’t know were possible. There is a strip of coffee shops for you to visit too and it is a place for aesthetic sight-seeing. 


There will be plenty of seedy people walking past you on the street that will, regardless of the time, shout “coke” in your face. You might think that they’re calling you a ‘cock’ but they aren’t. They might, I don’t know it may depend on your situation. When approached by these kind of people, do not buy unless you want to be crying in the bathtub of your apartment wondering why the last of your money is now providing the sweetness in your coffee, it’s probably sugar. It may be flour. It may be crushed paracetamol. Either way, it’s more than likely to not be legit. Guaranteed good night for you then.


When SWITCHED went to Amsterdam, we walked about a hell of a lot which was quite enthralling. Much culture, much beauty, less public masturbation. Yes, you read that correctly. On our final night in Amsterdam we traveled along the streets to have a final intake of beauty before heading back to our apartment. Except this walk was quite a different experience to our previous ones. We browsed the coffee shops to find a middle-aged male and female stood in the door way. The man basically had his entire arm up the woman’s skirt. They weren’t really bothered and this was a public situation for everybody on the street to watch, if you’re into that kinda thing anyway. Don’t be either of those people. Don’t be the public finger-er and don’t be the public fingeree. Wait till you get home.


If you have the privilege of a docking station situated in your apartment then use it as much as possible. You don’t want to be on your balcony stoned out of your mind listening to 98.8. There’s only so much ‘Tracey Bell’ you can hack. Sure, it’s all fun and games at first when she’s mixing up those tracks with house and old skool R&B but when you find yourself listening to her show everyday and realise that she’s continuously playing Stacy Orrico and some god-awful genre bending playlist you know you’re done. Milky Chance should not be followed by Mariah Carey ballads and Pitbull’s ‘Timber’. You’re likely to wake each morning singing the ‘TRACEY BELLLLL’ jingle over your own music too. 


Go out and do as much as you want as you don’t want to waste any time dying in the apartment. You’re on holiday so get out and do as much as possible. Sitting on a field on holiday is better than sitting on a field in your home country surely so being skint is no excuse. Go and see things so that you don’t regret sitting in all day once you’re home. 

Text by Benjy Prescott. Photo by Louisa Newton.






SWITCHED Guest Mix 10: Alex Parkington

Our SWITCHED guest mixes return, this time from 20 year old Motion Presents resident Alex Parkington.


After almost two years of lying dormant, the legendary Magnet reopens in Liverpool later this month reclaiming its name as one of the best house and techno institutions in the city. The opening weekend sees a collaboration between LDMS and Jolt, working together to provide a ‘Good Friday Edition’ event on the 18th April.

You’re almost certain to have heard the name East End Dubs, a London producer that’s created a name for himself with his deep dark brand of house music on his own label. EED production style oozes thumping drums and big baselines, inspired by London’s underground scene including warehouse parties, UK garage and the likes of Chris Lattner, Justin Drake and Enzo Siragusa. Exhibiting a sense of patriotism within his work, East End Dubs is set to bring his London warehouse vibes to a whole new level this month to the city of Liverpool. With further releases on Moon Harbour, Eastenderz and Dogmatik; EED has certainly earned his place within the house and techno club culture in the UK.

Also on the Good Friday Edition lineup is none other than East London born and raised Brett Jacobs. Receiving his first turntables at the age of 11, Brett was obsessed with music from an early age; making the transition from bedroom DJ onto the dance floor aged only 16. After a solid 10 years on the scene, Brett now has a colourful backlog of worldwide gigs and multiple releases on quality labels such as Luna Records and Karton.

With support from Waxxx/Jolt resident Jimmy Allen and LDMS frontman Assheton, the Good Friday Edition will see the amalgamation of some of the finest underground house and techno DJs from two uplifting cities that beam artistic culture and music from different ends. Forget ‘East meets West’, this time it’s about East End meets North West.

For those of you that weren’t fortunate enough to visit the Magnet pre-2012 (imagine 16 year old Louisa sneaking into Basementality using a 26 year old’s passport) - you’re in for a treat. Doors open from 10pm and remain so until 4am when the last ones standing can make their crawling departures to after parties in true Good Friday spirit. Tickets available from skiddle.

By Louisa Newton









Returning to its home of the Hold in the Shipping Forecast, Saturday 12th April welcomes James Morgan and Hustle back with open arms. This time on the bill is Liverpool born Berlin based Tony Lionni, prior to his recent album release on Kerri Chandler’s Madhouse imprint, and not to mention a series of high quality releases on labels such as Ostgut Ton, Jimpster’s ‘Freerange Records’ and Francois K’s ‘Wave Records’. He’s a regular behind the decks at the infamous Panorama Bar in Berlin, plus gigs under his belt afar and worldwide including Yellow in Tokyo, this time Hustle have brought him back to his roots for what looks to be a night of dancing, drinking and Tony’s own fuse of deep house and techno.

Also on the lineup is Atjazz, a Defected and Get Physical favourite who’s trademark deep sound has launched him into massive acclaim across Europe, USA and Africa. Other prominent career success for Atjazz includes working with names such as Nitin Sawhney, Jazzanova, Zed Bias and Omar aswell as being the only artist in the last two decades entrusted to remix Kerri Chandler’s infamous deep house anthem “Rain”. If the fine execution of his label ‘Atjazz Record Company’ doesn’t tempt you enough, give his Galaxy Art Dub of Brandy’s The Ritual a listen. 

Support from the man himself James Morgan, plus Jimmy Allen and Robasca.

Tickets available online here.


Saturday 12th April 2014

VENUE: The Boutique, Liverpool

The 3rd Installment of Crescendo presents ‘Bassline’ hit-makers GotSome, along with the Crescendo residents. 

UK duo GotSome headline the newest installment of Crescendo. With support from DJ’s such as Annie Mac and B.Traits, the duo are set to take Liverpool by storm. With their career-defining track ‘Bassline’ amongst their musical catalogue, the event is sure to show attendees that GotSome have more than just this track up their sleeve.  








DOORS OPEN 10:00PM - 4:00AM





Amsterdam, Louisa Newton, 2014.

Duration: 04:08

This short film was recorded on a recent visit to Amsterdam. The video presents the everyday lifestyle of, and journey through, the tourist’s favourite Red-light District.